Sharon Johnson - Compositor
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BREAKDOWN:
© 2018 Sharon Johnson   All rights reserved
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LIFE OF PI
Composited shot (native stereo); also did paint, roto, & tracking (native stereo).
Blended multiple pass layers of cg water,
characters, and effects with plate water—extensive color correcting, warping, rotoing, and patching where necessary.
Removed highlights in plates & re-created original motion blur where needed. Keyed over extremely uneven blue screens, white bounce ceilings, tiles, and over water.
Integrated practical effects, matte paintings, and matched all elements to sequence. Created character 3d-projections for added depth. Shots were used in several making of
demo's online & included in presentation forbest VFX for BAFTA, Oscars, and the
VES awards (all awarded).

PIRATES OF THE CARRIBEAN – DEAD MEN TELL NO TALES
Composited shot; also did paint, roto, & tracking. Integrate bluescreen plate with multi-layered cg and matte painting projections, added plate and cg crowds to enhance the few shot on set, replaced ground and tiles
under soldiers, added stock elements for atmosphere and fx enhancement, set extensions for buildings and
environments, added particles for falling debris.

TARZAN
Composited shot; also did paint, roto, & tracking
Integrate greenscreen plate with multi-layered cg and matte painting projection, added stock elements for atmosphere and fx enhancement.

X-MEN – DAYS OF FUTURE PAST
Composited shot (native stereo); also did paint, roto, & tracking (native stereo), & matching and alignment with Occula (stereo).
Integrated matte paintings, camera projections, and cg set extensions, multi-layer cg elements and characters, 
fx passes, and stock footage with greenscreen plates, 2d and 3d tracking used.

PADDINGTON
Composited shot; also did paint, roto, & tracking.Integrated blue screen plates with fx, cg and matte painting
set extension, also added nukex particle and stock practical snow and fx to match the plate snow in other shots;
replaced a wobbly rubber statue with an apparent stone statue, recreated shadows and lighting.

PAN
Composited shot; also did paint, roto, & tracking.
Integrated dirty greenscreen plates with
multiple layer cg characters, fx, and cg and matte painting set extensions.  Extensive color correction and
cg relighting done. Also added interactive lighting and torches to characters. Practical stock added for atmosphere and smoke.

NOW YOU SEE ME 2
Composited shot; also did paint, roto, & tracking.
Integrated dirty greenscreen plates with multiple layer cg characters, fx, and cg and matte painting set extensions. 
Extensive color correction and cg relighting done.
Also added interactive lighting to plate for
fireworks addition.

R.I.P.D.
Composited shot; also did paint, roto, & tracking.
Greenscreen plate keying, integrated cg,
matte paintings, stock footage, and fx.
Created interactive lighting to match and
enhance plate lighting. Created waterfalls
using multiple stock elements by re-timing & warping.
Developed sequence look of lightning effect from multiple cg passes.  Blended multiple cameras, plates, and matte paintings and projections. CG relighting.

ALVIN & THE CHIPMUNKS 3 - CHIPWRECKED
Composited shot; also did paint, roto, & tracking. Created set extensions, matte paintings,and an atmospheric lighting environment.
Integrated multilayer cg characters, effects, & practical elements into live action plates.
Extensive color correction and manipulation of multi-pass layers to effectively re-light certain elements & characters. Created 3d projections and warped elements to align with plates.
​MONEYBALL
Composited shot; also did paint, roto, & tracking.
Integrated multilayer cg crowds, effects, &
practical elements into live action plates
using 2d and 3d projection methods.
Removed wires and rigs. Extensive color
correction and re-lighting of cg elements to match sequence. Added reflections, shadows, atmosphere, lighting.


REELSHOTS